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Helena and Luciana are two supermodels with completely opposite personalities: the first is stormy and spoiled, while the second - being older - is patient and restrained. Their fate changes when Helena becomes involved with Marcos, Luciana's father, an older man recently divorced from a former model, Tereza, who does not accept the end of the marriage.

In September 2007 Júlio Bressane goes to Ferrara. In the cemetery of the Italian city he ends up making two movies.

Fátima and Laurinda are mother and daughter and the only thing they have in common is their blood ties. While Fátima suffers a series of misfortunes because of her daughter, Laurinda seeks to ascend socially at any cost through a millionaire marriage with the Martins de Mello heir. Meanwhile, Raquel, the widow of Fatima's brother, returns to Portugal to confront the Martins de Mello family, whom she judges guilty of her husband's death in the 9/11. Parallel to intrigues, rivalries, secrets, blackmail and betrayals, the arrival of a great mystery haunts everyone's lives forever: The enigmatic Tubarão.

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Teresa finds out in Africa that her husband, Xavier, was lost in child prostitution. She flees to South Africa where she meets the maid's daughter, prostituted. It ends up getting the Mozambican police to save her and testify against the network of child prostitution. She becomes a star. The rescued girl has the media attention and also becomes a star.

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Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?